Dizzee rascal zip
#Dizzee rascal zip for free
The Streets – A Grand Don’t Come For Free Buy from amazon This CD takes his fun rhyming and serious ideas several steps further with unsentimental songs about booty, funk and the all-conquering power of the love (and booty). Shock G was last on our radar screens as one of the Digital Underground, but that seems such a long time ago now. When you don’t turn it up loud it sounds like there are mice running around inside your CD player, possible inside your brain too.īuy from amazonShock G – Fear of a Mixed Planet Skittering and broken beats, hints of non-existent melodies and odd left-field noises combine to make a sound I don’t know that I’ve heard before (even from Squarepusher). This is profoundly disturbing when turned up loud. Venetian Snares – Huge Chrome Cylinder Box UnfoldingĪaron Funk moves away from the ‘ardcore noise he’s known for and moves on to glitch electronica. For me, that is the real achievement here, making voices into machines into voices again. But the overall effect might as well be that of a purely organic sound, which this patently never is. The hype that this is her “vocal” album is not entirely true, as there are some “proper” keyboards and drums in addition to the vocals processed to sound like them. Oh, and plenty of the beats on either of these records might come from fucked-up game consoles, when I play them for US DJs they invariably look at me and say “great beats, but what the hell are they saying?!!” They both suck! Dizzee’s second LP is the still the sound of the UK ghetto, braggin’, unwilling to yield to the gray weather, gray jobs, gray clothes, gray housing and gray government. Wiley’s CD appears to have different cover art in it’s US and UK versions. Wiley’s “Eskimo” is not on here, but the beats derived from it are. Pete Rock, Eric B and DJ Premiere all made beats which could stand on their own, but which really came into their own with an MC riding the flow on top. To the extent that grime DJs and producers make noise for the sake of the MC, this takes me back to the “golden” age of hip-hop.
#Dizzee rascal zip full
The first full length CD from super-producer Wiley (the current one) has beats, beats, beats and some rhymes. Two members (one current and one ex) of the Roll-Deep crew. His “live in performance” DJ record is accompanied by a DVD of the show, including the light show and graphics! Whatever, M.I.A.’s “Galang” was one of the great singles of the year and Diplo is one of the great beatmasters of the age, so why not put them together? RJD2 is consistently on the ball, but will have to break out something new for the next one. The first might not be a “real” record, it might be a downloadable mashup only. Contents: Noise, turntables, samples, grooves, psychosis, ADHD, curiosity.
Yes, this can seem wearing indeed, I’d say it’s not easy to listen to (a good thing), but with not an iota of wasted sound, it’s a rarity for me today: a novelty album which gets deeper with every listen. The CD is wall-to-wall noise with barely room to breathe, each track propelling the next. I’m fond of saying that this sounds like a couple of 7-year olds off their Ritalin, saying “what can we fuck with next?”.